Top 10 Music Education Advocacy Points for Parents

For Parents

Top 10 Music Education Advocacy Points for Parents

Ten research-based talking points from the Children’s Music Workshop advocacy archive, updated into a clearer format for parents who want to explain why music education matters.

How to Use This

Use these points as historical evidence and conversation starters. Most of the cited studies date from the 1990s or 2000, so the dates and sources should stay attached to the claims rather than being presented as current statistics.

Parents are often the most effective advocates for school music because they can connect research with what they see in their own children: growing confidence, better listening, stronger preparation habits, friendships, responsibility, and pride in performance. The original CMW page assembled ten concise research points for that purpose.

Ten Advocacy Points

Point 1

Music and Discipline

A 2000 American Music Conference survey reported that 73 percent of respondents believed teenagers who play an instrument are less likely to have discipline problems.

Point 2

Rhythm and Rapid Correction

Research cited from the Center for Timing, Coordination, and Motor Skills connected complex rhythmic performance with the ability to make faster and more precise corrections in other physical and cognitive situations.

Point 3

Long-Term Arts Participation and Achievement

A ten-year study associated sustained music and arts participation with higher academic performance across socioeconomic groups. The archived page attributed this work to Dr. James Catterall of UCLA.

Point 4

Arts Exposure and Mathematics

A study of elementary students in an arts-based program reported higher mathematics performance as time in arts education increased. The archived page cited a 1998 Phi Delta Kappan report.

Point 5

Music and Creative Thinking

The page cited research in which first-grade students receiving daily music instruction scored higher on measures of creative thinking than a comparison group without that music instruction.

Point 6

Music Training and Reading

A Scottish study compared musical training with discussion-skills training. After six months, the music group showed a significant increase in reading scores while the comparison group did not show the same change.

Point 7

Students’ Academic Self-Perception

An arts-focused curriculum study reported that participating students had more positive perceptions of their academic abilities than students in a comparison group.

Point 8

Rhythm, Planning, and Sequencing

The advocacy page connected rhythmic skill with the ability to plan, sequence, and coordinate actions – capacities that matter in both musical performance and everyday tasks.

Point 9

Cooperation and Confidence

A 1999 Columbia University-related arts study was cited for findings that arts students were more cooperative, more self-confident, and better able to express ideas across socioeconomic groups.

Point 10

Music and College Readiness

The archived page noted that admissions officers have viewed sustained music participation as evidence of time management, creativity, expression, commitment, and openness to learning.

Keep the dates with the facts: These are historical advocacy references. They remain useful for understanding the research base that shaped music-education advocacy, but current policy discussions should not describe the older survey percentages or study results as if they were collected today.
For Parents and Teachers

Help a Young Musician Get Started

Advocacy matters most when children also have the chance to make music themselves. Browse the complete Music Fun Books collection, or start with the coordinated beginning band series created for young players.

Parents Make the Case Personal

Research helps, but the strongest advocacy combines evidence with direct observation. Tell school leaders what the program teaches, what your child has learned, how students grow over time, and what would be lost if access to music disappeared.

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